The designation “print number 2” often refers to a specific grade or contrast level of photographic paper used in traditional darkroom printing. This paper exhibits a moderate level of contrast, lying between softer (lower number) and harder (higher number) grades. For instance, when printing a negative with a normal range of tones, this particular grade typically yields a print with balanced highlights, shadows, and midtones, showcasing a full tonal range.
Its importance stems from its versatility in handling negatives with average contrast. Utilizing this grade can significantly reduce the need for extensive dodging and burning during the printing process, thereby saving time and resources. Historically, darkroom technicians relied heavily on understanding paper grades to precisely control the final appearance of their prints, adapting to the characteristics of different negatives and artistic goals.
Understanding the characteristics of this paper grade is essential before delving into advanced darkroom techniques. The following discussion will explore related concepts such as variable contrast papers, exposure techniques, and print development strategies crucial for achieving desired outcomes in black and white photographic printing.
